Cooler Than Genocide Era

// Cyber Angels Magazine
"What was once a creation of sound collages mixed with spoken word rants became a full time dark electronic project. I'd like to reach everyone who is able to understand what I'm creating. I'd like Experiment Haywire to be the soundtrack to my generation. Well, at least certain parts of it."
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// Re-Gen Magazine
"I started Experiment Haywire because nobody else would. If another pissed off chick wasn't up for creating harsh electronic sounds and screaming about the end of humanity, it was going to have to be me."
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World War 23 Era

// Wounds of the Earth
"I hope for my music to move people who have been waiting for something like this. You can achieve a lot through the medium of music if you become popular... shit like public mind control... but I’d rather just reach the people who need to hear this."
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Cooler Than Genocide

// Alterati Magazine
"I’ll be honest, I was expecting noise, experimental soundscapes, avant-garde assault on pop music… I expected a dark industrial doom–but I didn’t expect it to be danceable, and as a result, so damn subversive. Then again Haywire is never what you’d expect."
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// Gothtronic Magazine
"Her way of singing reminds of S.I.N.A., yet the music is quite variable and pretty original techno-industrial, with more or less influences and traces of Atari Teenage Riot, Hanin Elias, Babyland but also from industrial Neubauten style and of course modern dark techno acts."
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// Re-Gen Magazine
"Haywire's newest solo release sounds surprisingly controlled, owing more to the minimalist aesthetic of early techno and EBM than the crazed but uneven output of the original industrial scene."
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World War 23

// Wounds of the Earth Magazine
// 8.5 out of 10
"... any fan of noise music will be able to absolutely enjoy and understand this album; if you are not a fan of noise you should give Experiment Haywire a shot anyway and World War 23 might even be able to convert you."